painting - Leather crafting

painting - Leather crafting
Photograph by duwagison Flickr.

The object is to add further definition with them to the cut lines made by the swivel knife. In the United painting Leather crafting States and Mexico, the western floral style, known as Sheridan Style , of carving leather predominates. Oils such as painting neatsfoot or linseed can be applied to preserve leather but painting darkens them.

After the leather has been stamped, the design stays on the leather as it dries out, but it can fade if the leather becomes painting Iconography wet and is flexed. A wax paste more often than not serves as the final coat. Sweat and grime will also stain and painting antique leather over time.

The other tools are punch-type implements struck with a wooden, nylon or rawhide mallet. California, Texas, and a few other styles are common.

The swivel knife is held similar to pencil and drawn along the leather to outline patterns. Leather painting crafting is the practice of making leather into craft objects or works of art, using shaping techniques, coloring techniques or both. Leather dyeing usually involves the use of spirit or alcohol based dyes where alcohol quickly gets absorbed into moistened leather, carrying the pigment deep into the surface.

Most painting stamping is performed on vegetable tanned leather that has been dampened with water, as the water makes the leather softer and able to be compressed by the design being pressed or stamped into it. Shoe polish can be used to dye and preserve leather.

By far the most painting preeminent carver in the United States was Al Stohlman. Gun holsters, saddlebags, wallets and cantanas used by cowboys and buccaroos were rarely colored in the Old West.

His patterns and methods have been embraced by many hobbyists, scout troops, reenacters, and craftsmen. Leather stamping involves the use of shaped implements (stamps) to create an imprint onto a leather surface, often by striking the stamps with a mallet. Commercial stamps are available in various designs, typically geometric or representative of animals. To make the impressions last longer, the leather is conditioned with oils and fats to make it water-proof and prevent the fibers from deforming. .

These have pigments that will break away from the higher points of a tooled piece and so pooling in the background areas give nice contrasts. There are currently water-based alternatives available, although they tend not to work as well. Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather.

The red, brown, and black tones develop naturally through handling and as the oiled leathers absorb the rays of the desert sun. Due to changing environmental laws, alcohol-based dyes are soon to be unavailable. Unlike photographs, leather paintings are displayed without a glass cover, to prevent mold. Leather carving entails using metal implements to compress moistened leather in such a way as to give a three dimensional appearance to a two dimensional surface.

A flat piece of leather, backed with a stiff board is ideal and common, though three-dimensional forms are possible so long as the painted surface remains secured. Acrylic paint is a common medium, often painted on tooled leather pictures, backed with wood or cardboard, and then framed. Usually, these are stylized pictures of acanthis or roses.

Under these conditions, the paint will crack and flake off. Leaving parts unstained also provides a type of contrast. Alternatives to spirit stains might include a number of options.

The surface of the leather is not intended to be cut through, as would be done in filigree. The main tools used to carve leather include: swivel knife, veiner, beveler, pear shader, seeder, cam, and background tool. Hi-liters and Antiquing stains can be used to add more definition to patterns.

Due to this difference, leather painting techniques cannot be used on items that can or must bend nor on items that receive friction, such as belts and wallets.